Mel Bochner

Measurement Room: Perimeter, 1968

June — July, 2018

Fine Arts, Sydney is presenting an exhibition of work by Mel Bochner.

Mel Bochner is recognised as one of the leading figures of Conceptual art. Bochner was at the forefront of developments in art during the 1960s and 1970s, amongst a generation of artists working in New York who were looking at ways of breaking with art’s traditional and conventional means. Bochner was pioneering in his use of language and measurement in art making. He began exploring the interpretation of information and the representation of space, using photographs, words and numbers to rethink art in terms of the abstract and seemingly rational ways we express our belief in knowledge of the world around us.

Bochner’s series of works using measurement began as sketches in 1967, and developed during 1968. In 1969 he made an exhibition titled ‘Measurements’ at Galerie Heiner Friedrich in Munich. It was here that Bochner made the first iteration of ‘Measurement Room’, for which the architectural features of a room were measured and marked out directly onto its walls.

The measurement works, which Bochner has continued, have followed certain procedures whereby a stable object or place either has its measurements marked directly onto it, is oriented with its measurement relative to something else, or is measured in relation to a given standard. The focus of the work is on actual measurement, and the presentation of something that seems self-evident. Bochner has spoken of measurement as being of interest because it is essentially without meaning, despite being one of the ways we express understanding. In part, Bochner’s measurement works speak to the truism that it is not necessary to understand something in order to explain it.

This exhibition is the first showing of Mel Bochner’s work in Australia since the 1974 exhibition ‘Some Recent American Art’ curated by Jennifer Licht and organised by the Museum of Modern Art, New York, that toured Australasia at the National Gallery of Victoria, Melbourne; Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide, and Auckland City Art Gallery, Auckland.

Bochner’s work has contributed to some of the most influential exhibitions of the modern era, including ‘When Attitudes Become Form’ at Kunsthalle Bern, Bern, Switzerland (1969); ‘Information’ at the Museum of Modern Art, New York, USA (1970); and ‘Konzept-Kunst’ at Kunstmuseum Basel, Basel, Switzerland (1972). In 2012 Bochner’s work was the subject of the survey exhibition ‘Mel Bochner: If The Colour Changes’ at the Whitechapel Gallery, London, UK, which travelled to Haus der Kunst, Munich, Germany (2013), and Fundação de Serralves, Porto, Portugal (2013). He has made solo exhibitions at museums including the Jewish Museum, New York, USA (2014); National Gallery of Art, Washington D.C., USA (2011); Art Institute of Chicago, Chicago, USA (2006); Musée d’art Moderne et Contemporain, Geneva, Switzerland (2003); Carnegie Museum of Art, Pittsburgh, USA (2002); Baltimore Museum of Art, Baltimore, USA (1989, 1976); Kunstmuseum, Luzern, Switzerland (1986); and the Museum of Modern Art, New York, USA (1971). His work has been included in prominent museum and thematic exhibitions throughout Europe and the United States since 1967, including Documenta 5 (1972), the Whitney Biennial (1979, 1977), Manifesta 11 (2016), and the 57th Carnegie International (2018).

Mel Bochner was born in Pittsburgh, USA, in 1940. He lives and works in New York, USA.

2 June — 28 July, 2018