Fine Arts, Sydney

Juliette Blightman

Born 1980, Farnham, UK. Lives and works in Berlin, Germany and Farnham, UK

MFA, University of the Arts, London/Central St Martins, London, UK (2007)
BFA, Byam Shaw School of Art, London, UK (2003)

Solo Exhibitions

‘Nightshift’, Fine Arts, Sydney, Sydney, Australia

‘Loved an Image’, Galerie Fons Welters, Amsterdam, Netherlands

‘Extimacy’, Kunsthalle Bern, Bern, Switzerland
‘Portraits and Repetition’, South London Gallery, London, UK
‘Juliette Blightman/Josef Kramhöller’, JAZZ BAR, Munich, Germany

‘When will you come’, invited by Freudenberger, Vienna, Austria
‘Distant Intimacies’, Pied-à-terre, San Francisco, USA
Juliette Blightman/Ellie Epp, ‘holding one’s own in an unfinished system’, Badischer Kunstverein, Karlsruhe, Germany
‘Come inside, bitte’, Eden Eden, Berlin, Germany
‘Eden Eden Eden’, Karma International, Los Angeles, USA

‘Juliette Blightman/Gerry Bibby’, Kunsthaus Bregenz, Bregenz, Austria

‘I hope one day soon you’ll come and visit me here’, Galerie Isabella Bortolozzi, Berlin, Germany
‘A Year With No Head’, International Project Space Bournville, Birmingham, UK

‘Paradise Lost’, Dirk Bell/Juliette Blightman, Kunstverein Arnsberg, Nordrhein-Westfalen, Germany
‘While I was telling my story’, I noticed that a silence fell on the table, Liste 15, Basel, Switzerland
‘the day grew dark’, Künstlerhaus Stuttgart, Germany
‘the day grew darker still’, Process Room, Irish Museum of Modern Art, Dublin, Ireland
‘an hour’, Michael Benevento, Los Angeles, USA

‘mirrors would do well to reflect more before sending back images’, Hotel, London, UK

‘so much better than last year’, Galerie Giti Nourbakhsch, Berlin, Germany
‘Do you like the Ice Cream man?’, nine things gallery, Frankfurt, Germany

‘at midnight, which is 1am, although it is midnight again’, Michael Lett, Auckland, New Zealand
‘as a period in which nothing happens’, Whitechapel Project Space, London, UK

Group Exhibitions

‘Zur Rebschänke’, Weiss Falk, Basel, Switzerland
‘Made in Germany Drei’, Kestner Gesellschaft, Hannover, Germany
‘Hütti’, Ludlow 38, New York, USA
‘Der Verdienst. 2014 – 2017’, Oracle, Berlin, Germany
‘Fleming Faloon’, Office Baroque, Brussels, Belgium
‘Year Of The Monkey’, Galerie Emanuel Layr, Rome, Italy

‘A Month of Sundays’, Taylor Macklin, Zurich, Switzerland
‘The Tale That All But Shapes Itself’, Greene Naftali Gallery, New York, USA
‘As if in a foreign country’, Galerie nächst St.Stephen Rosemarie Schwarzwälder, Vienna, Austria
‘A Change of Heart’, Hannah Hoffman Gallery, Los Angeles, USA
‘Pierre Guyotat’, Galerie Azzedine Alaïa, Paris, France

‘2035’, Forde, Geneva, Switzerland
‘Transparenzen’, Kunstverein Nürnberg, Nurenberg, Germany
‘Transparenzen’, Bielefelder Kunstverein, Bielefeld, Germany
‘Tina’, Spike, Berlin, Germany
‘Quattro Stagioni’, Fürstenberg Zeitgenössisch, Donaueschingen, Germany
‘The Cipher and the Frame’, Cubitt, London, UK
‘Impossible Love’, curated by Vincent Honoré, Projektraum Viktor Bucher, Vienna, Austria

‘@ the shrink’, curated by Simon Dybbroe Møller, Shanaynay, Paris, France
‘Who Are Who’, curated by Tenzing Barshee, Studio for Propositional Cinema, Dusseldorf, Germany
‘The Library Vaccine’, Artists Space, New York, USA
‘Europe, Europe’, Astrup Fearnley Museet, Oslo, Norway
‘The Influence of Furniture on Love’, Wysing Arts Centre, Cambridge, UK
‘Interior’, Modern Art, London, UK
‘…Revelry’, Kunsthalle Bern, Bern, Switzerland
‘The Registry of Promise: The Promise of Multiple Temporalities’, Parc St. Léger, Pougues-les-Eaux, France

‘all those, too, who are sustained by the alternative hopes’, The Handler of Gravity, Essex St, New York, USA
‘Interiors’, Lulu, Mexico City, Mexico
‘Girls Can Tell’, Gesellschaft für Aktuelle Kunst, Bremen, Germany
‘Kappen’, HardHat, Geneva, Switzerland
‘Drawing Biennal 2013’, Drawing Room, London, UK
‘Les Aventures d’Arthur’, Odile et Franz, CNEAI, Chatou, France
‘In Form Express and Admirable (in a sense lying, in a sense not)’, Camberwell Space, London, UK
‘I am an object who knows himself to be seen’, Künstlerhaus Bethanien, Berlin, Germany
‘Orpheus Twice’, David Roberts Art Foundation, London, UK
‘Shortcuts & Digressions’, Norwich Castle, Norwich, UK

‘The New Public’, Museion of Modern and Contemporary Art, Bolzano, Italy
‘From A to B’, CCA AndratX, Andratx, Mallorca, Spain
‘The Big Inexplicable Paravent Illusion (PT.1)’, Isabella Bortolozzi Galerie, Berlin, Germany

‘nobody, not even the rain, has such small hands’, RaebervonStenglin, Zurich, Switzerland
‘Histoires de votre vie’, Office Baroque, Antwerp, Belgium
‘Based in Berlin’, Hamburger Bahnhof, Berlin, Germany
‘How to Work’, Kunsthalle Basel, Basel, Switzerland
‘How To Work (more for) less’, Kunsthalle Basel, Basel, Switzerland
‘at least you haven't changed’, Hotel gallery, London, UK

‘British Art Show 7 - In the days of the comet’, touring: Nottingham Contemporary; Hayward Gallery, London, UK; Glasgow Centre for Contemporary Arts, Glasgow, UK; Plymouth Arts Centre, Plymouth, UK

‘Paradise Lost’, Dirk Bell/Juliette Blightman, Kunstverein Arnsberg, Arnsberg, Germany
‘One Fine Morning in May’, GAK Bremen, Germany
‘Under One Umbrella’, Bergen Kunsthall, Bergen, Norway
‘This World is Not My Home’, Galerie Zero , Milan, Italy

‘The House of Wonder’, Mehringdamm 72, Berlin, Germany
‘Mixed Double: Juliette Blightman and Kirsten Pieroth’, Silberkuppe, Berlin, Germany
‘7 x 14 Silberkuppe in Kur’, Silberkuppe at Staatliche Kunsthalle Baden-Baden, Germany

‘Parade’, Parade, London, UK
‘schlafen gut’, film program by Starship Magazine, various venues in Vienna, Paris, Zurich, New York and Berlin
‘Bartenstein’, Schloss Bartenstein, Schrozberg, Germany
‘Badcamp 888’, Badstr 66, Berlin, Germany
‘Nought to Sixty’, ICA, London, UK
‘Think Again’, Rachmaninoff, London, UK
‘Trypanosome’, Juliette Blightman and Margarita Bofiliou, k44, Athens, Greece
‘Worpswelten, Kunstverein Göttingen, Germany
Martin Kausche Ateliers, Worpswede, Germany
‘more love now’, Basso, Berlin, Germany

‘No Room for the Groom’, Herald St, London, UK
‘We stopped in the Colonnade’, Hotel Gallery London, UK
‘Xerox Teens’, with Anthony Silvester, Music Video
‘This is the Love of These’, Magazin4, Bregenz, Austria
‘What Is It?’, Wysing Arts Centre, Cambridge, UK

‘Cabin Baggage, Satellites’, Tanya Bonakdar, New York, USA
‘Direct Currency Exchange’, artLedge, Chicago, USA
‘Magazine’, ESW, Edinburgh, UK
‘The Glass Bead Game’, Vilma Gold Project Space, Berlin, Germany
‘Another Product’, The Cornerhouse, Manchester, UK
‘Either taking it out or putting it in’, White Cubicle, George and Dragon Public House, London, UK
‘Hotel Art Series’, Carlton, Munich, Locanda Ca' Foscari, Venice, East Side City Hotel, Berlin, Germany

‘all the properties of a thing’, Stable, London, UK
Istanbul Airport Project with Sebastian Craig, Istanbul, Turkey
‘BYO Resource’, i-cabin, London, UK

‘MooFest’, curated concert with Xerox Teens and Independent Yellow Hoover, Athens, Greece

‘Tart's Eggs’, Old Nylon Space, London, UK


‘Year of the Cock’, Between Bridges, Berlin, Germany

‘Now, Soon, Wait’, Per4m, Artissima ArtFair, Turin, Italy
‘Nightshift’, Schinkel Pavilion (invited by Calla Henkel and Max Pitegoff), Berlin, Germany

‘Nightshift’, Forde, Geneva, Switzerland
‘Push Comes to Love’, with Heatsick, Kunstakademie Dusseldorf, Germany
‘Push Comes to Love’, Paris Internationale, Paris, France

Reading by Juliette Blightman with contributions by Pablo Larios, Pippin Wigglesworth-Weider, Skye Chamberlain, Kölnischer Kunstverein, Cologne, Germany
‘Spills’, Juliette Blightman/Yael Salomonowitz, New Theatre, Berlin, Germany
‘Units of Attention’, Juliette Blightman/Robin Watkins, Flattime House, London, UK
‘Blow Job’, Kunsthaus Bregenz, Bregenz, Austria

‘Between Acts’, an evening of Performances, David Roberts Foundation, London, UK
‘Autumn/Winter Collection 2013’, Elaine, Basel, Switzerland

‘After all nothing changes but the weather - time after time after time’, part of: Bitte Danke, a project by Dirk Bell, Pavillon der Volksbühne, Berlin, Germany
‘Inside and outside cannot simply be separated (The Kreutzer Sonata), Loos, Beethoven and Tolstoy’, no readmittance series, performative lecture, Weißensee Kunsthochschule, Berlin, Germany

‘Death Dies’, Performance with Anthony Silvester, Thinking Through Cinema (Lux), Tramway, Glasgow, UK
‘If I had two heads’, no readmittance series, performative lecture, Based in Berlin, Monbijou Park, Berlin, Germany
‘Es gibt Stille un Stille’, performative lecture, PINothek Atelier Munich, Munich, Germany
‘We Love You’, no readmittance series, performative lecture, British Art Show, St Paul’s Pavilion, London, UK

‘Death Dies (Christmas Version)’, performance with Anthony Silvester, Hotel, London, UK
‘Death Dies’, performance with Anthony Silvester, Thinking Through Cinema (Lux), Artissima 7, Turin, Italy
‘the day grew dark, no readmittance series, featuring Josef Strau, Chantal Akerman, Axel J Wieder and New Order, performative lecture, Künstlerhaus Stuttgart, Germany
‘the day grew darker still’, no readmittance series, Lecture Room, performative lecture, Irish Museum of Modern Art, Dublin, Ireland

‘Broken English’, no readmittance series, performative lecture, Weißensee Kunsthochschule, Berlin, Germany
‘I can hear the grass grow’, no readmittance series, performative lecture, Temporäre Kunsthalle Berlin, Germany
‘the future event cannot be focussed’, no readmittance series, performative lecture, Hotel, London, UK
‘songs without words’, no readmittance series, performative lecture, Royal College of Art, London, UK

‘Lieber den Spatz in der Hand, als die Taube auf dem Dach’, DJ Set, 1h, Worpswede goes Poodle, Golden Pudel Club, Hamburg, Germany