Juliette Blightman

‘This One’s For You’, Maureen Pale hosting Felix Gaudlitz for Condo 2019, London, United Kingdom

‘Relations’, O-Town House, Los Angeles, United States

‘Nightshift’, Fine Arts, Sydney, Sydney, Australia

‘Loved an Image’, Galerie Fons Welters, Amsterdam, Netherlands

‘Extimacy’, Kunsthalle Bern, Bern, Switzerland
‘Portraits and Repetition’, South London Gallery, London, United Kingdom
‘Juliette Blightman/Josef Kramhöller’, JAZZ BAR, Munich, Germany

‘When will you come’, invited by Freudenberger, Vienna, Austria
‘Distant Intimacies’, Pied-à-terre, San Francisco, United States
Juliette Blightman/Ellie Epp, ‘holding one’s own in an unfinished system’, Badischer Kunstverein, Karlsruhe, Germany
‘Come inside, bitte’, Eden Eden, Berlin, Germany
‘Eden Eden Eden’, Karma International, Los Angeles, United States

‘Juliette Blightman/Gerry Bibby’, Kunsthaus Bregenz, Bregenz, Austria

‘I hope one day soon you’ll come and visit me here’, Galerie Isabella Bortolozzi, Berlin, Germany
‘A Year With No Head’, International Project Space Bournville, Birmingham, United Kingdom

‘Paradise Lost’, Dirk Bell/Juliette Blightman, Kunstverein Arnsberg, Nordrhein-Westfalen, Germany
‘While I was telling my story’, I noticed that a silence fell on the table, Liste 15, Basel, Switzerland
‘the day grew dark’, Künstlerhaus Stuttgart, Germany
‘the day grew darker still’, Process Room, Irish Museum of Modern Art, Dublin, Ireland
‘an hour’, Michael Benevento, Los Angeles, United States

‘mirrors would do well to reflect more before sending back images’, Hotel, London, United Kingdom

‘so much better than last year’, Galerie Giti Nourbakhsch, Berlin, Germany
‘Do you like the Ice Cream man?’, nine things gallery, Frankfurt, Germany

‘at midnight, which is 1am, although it is midnight again’, Michael Lett, Auckland, New Zealand
‘as a period in which nothing happens’, Whitechapel Project Space, London, United Kingdom

‘Ribbons with Realism’, Kunstverein Harburger Bahnhof, Hamburg, Germany

‘The Line Up: The Power of Drawing’, Centraal Museum Utrecht, Utrecht, Netherlands
‘Oh that I had a thousand tongues’, curated by Nikola Dietrich, Cultural Foundation of Tinos, Tinos, Greece
‘PARADISE NOW. Palmtrees in Art’, Salon Dahlmann, Berlin, Germany
‘A Matter of Printing’, Supportico Lopez, Berlin, Germany
‘Sancho Panza (invited by Veit Laurent Kurz)’, Oracle, Berlin, Germany

‘Zur Rebschänke’, Weiss Falk, Basel, Switzerland
‘Made in Germany Drei’, Kestner Gesellschaft, Hannover, Germany
‘Hütti’, Ludlow 38, New York, United States
‘Der Verdienst. 2014 – 2017’, Oracle, Berlin, Germany
‘Fleming Faloon’, Office Baroque, Brussels, Belgium
‘Year Of The Monkey’, Galerie Emanuel Layr, Rome, Italy

‘A Month of Sundays’, Taylor Macklin, Zurich, Switzerland
‘The Tale That All But Shapes Itself’, Greene Naftali Gallery, New York, United States
‘As if in a foreign country’, Galerie nächst St.Stephen Rosemarie Schwarzwälder, Vienna, Austria
‘A Change of Heart’, Hannah Hoffman Gallery, Los Angeles, United States
‘Pierre Guyotat’, Galerie Azzedine Alaïa, Paris, France

‘2035’, Forde, Geneva, Switzerland
‘Transparenzen’, Kunstverein Nürnberg, Nurenberg, Germany
‘Transparenzen’, Bielefelder Kunstverein, Bielefeld, Germany
‘Tina’, Spike, Berlin, Germany
‘Quattro Stagioni’, Fürstenberg Zeitgenössisch, Donaueschingen, Germany
‘The Cipher and the Frame’, Cubitt, London, United Kingdom
‘Impossible Love’, curated by Vincent Honoré, Projektraum Viktor Bucher, Vienna, Austria

‘@ the shrink’, curated by Simon Dybbroe Møller, Shanaynay, Paris, France
‘Who Are Who’, curated by Tenzing Barshee, Studio for Propositional Cinema, Dusseldorf, Germany
‘The Library Vaccine’, Artists Space, New York, United States
‘Europe, Europe’, Astrup Fearnley Museet, Oslo, Norway
‘The Influence of Furniture on Love’, Wysing Arts Centre, Cambridge, United Kingdom
‘Interior’, Modern Art, London, United Kingdom
‘…Revelry’, Kunsthalle Bern, Bern, Switzerland
‘The Registry of Promise: The Promise of Multiple Temporalities’, Parc St. Léger, Pougues-les-Eaux, France

‘all those, too, who are sustained by the alternative hopes’, The Handler of Gravity, Essex St, New York, United States
‘Interiors’, Lulu, Mexico City, Mexico
‘Girls Can Tell’, Gesellschaft für Aktuelle Kunst, Bremen, Germany
‘Kappen’, HardHat, Geneva, Switzerland
‘Drawing Biennal 2013’, Drawing Room, London, United Kingdom
‘Les Aventures d’Arthur’, Odile et Franz, CNEAI, Chatou, France
‘In Form Express and Admirable (in a sense lying, in a sense not)’, Camberwell Space, London, United Kingdom
‘I am an object who knows himself to be seen’, Künstlerhaus Bethanien, Berlin, Germany
‘Orpheus Twice’, David Roberts Art Foundation, London, United Kingdom
‘Shortcuts & Digressions’, Norwich Castle, Norwich, United Kingdom

‘The New Public’, Museion of Modern and Contemporary Art, Bolzano, Italy
‘From A to B’, CCA AndratX, Andratx, Mallorca, Spain
‘The Big Inexplicable Paravent Illusion (PT.1)’, Isabella Bortolozzi Galerie, Berlin, Germany

‘nobody, not even the rain, has such small hands’, RaebervonStenglin, Zurich, Switzerland
‘Histoires de votre vie’, Office Baroque, Antwerp, Belgium
‘Based in Berlin’, Hamburger Bahnhof, Berlin, Germany
‘How to Work’, Kunsthalle Basel, Basel, Switzerland
‘How To Work (more for) less’, Kunsthalle Basel, Basel, Switzerland
‘at least you haven't changed’, Hotel gallery, London, United Kingdom

‘British Art Show 7 - In the days of the comet’, touring: Nottingham Contemporary; Hayward Gallery, London, United Kingdom; Glasgow Centre for Contemporary Arts, Glasgow, United Kingdom; Plymouth Arts Centre, Plymouth, United Kingdom

‘Paradise Lost’, Dirk Bell/Juliette Blightman, Kunstverein Arnsberg, Arnsberg, Germany
‘One Fine Morning in May’, GAK Bremen, Germany
‘Under One Umbrella’, Bergen Kunsthall, Bergen, Norway
‘This World is Not My Home’, Galerie Zero , Milan, Italy

‘The House of Wonder’, Mehringdamm 72, Berlin, Germany
‘Mixed Double: Juliette Blightman and Kirsten Pieroth’, Silberkuppe, Berlin, Germany
‘7 x 14 Silberkuppe in Kur’, Silberkuppe at Staatliche Kunsthalle Baden-Baden, Germany

‘Parade’, Parade, London, United Kingdom
‘schlafen gut’, film program by Starship Magazine, various venues in Vienna, Paris, Zurich, New York and Berlin
‘Bartenstein’, Schloss Bartenstein, Schrozberg, Germany
‘Badcamp 888’, Badstr 66, Berlin, Germany
‘Nought to Sixty’, ICA, London, United Kingdom
‘Think Again’, Rachmaninoff, London, United Kingdom
‘Trypanosome’, Juliette Blightman and Margarita Bofiliou, k44, Athens, Greece
‘Worpswelten, Kunstverein Göttingen, Germany
Martin Kausche Ateliers, Worpswede, Germany
‘more love now’, Basso, Berlin, Germany

‘No Room for the Groom’, Herald St, London, United Kingdom
‘We stopped in the Colonnade’, Hotel Gallery London, United Kingdom
‘Xerox Teens’, with Anthony Silvester, Music Video
‘This is the Love of These’, Magazin4, Bregenz, Austria
‘What Is It?’, Wysing Arts Centre, Cambridge, United Kingdom

‘Cabin Baggage, Satellites’, Tanya Bonakdar, New York, United States
‘Direct Currency Exchange’, artLedge, Chicago, United States
‘Magazine’, ESW, Edinburgh, United Kingdom
‘The Glass Bead Game’, Vilma Gold Project Space, Berlin, Germany
‘Another Product’, The Cornerhouse, Manchester, United Kingdom
‘Either taking it out or putting it in’, White Cubicle, George and Dragon Public House, London, United Kingdom
‘Hotel Art Series’, Carlton, Munich, Locanda Ca' Foscari, Venice, East Side City Hotel, Berlin, Germany

‘all the properties of a thing’, Stable, London, United Kingdom
Istanbul Airport Project with Sebastian Craig, Istanbul, Turkey
‘BYO Resource’, i-cabin, London, United Kingdom

‘MooFest’, curated concert with Xerox Teens and Independent Yellow Hoover, Athens, Greece

‘Tart's Eggs’, Old Nylon Space, London, United Kingdom

‘Year of the Cock’, Between Bridges, Berlin, Germany

‘Now, Soon, Wait’, Per4m, Artissima ArtFair, Turin, Italy
‘Nightshift’, Schinkel Pavilion (invited by Calla Henkel and Max Pitegoff), Berlin, Germany

‘Nightshift’, Forde, Geneva, Switzerland
‘Push Comes to Love’, with Heatsick, Kunstakademie Dusseldorf, Germany
‘Push Comes to Love’, Paris Internationale, Paris, France

Reading by Juliette Blightman with contributions by Pablo Larios, Pippin Wigglesworth-Weider, Skye Chamberlain, Kölnischer Kunstverein, Cologne, Germany
‘Spills’, Juliette Blightman/Yael Salomonowitz, New Theatre, Berlin, Germany
‘Units of Attention’, Juliette Blightman/Robin Watkins, Flattime House, London, United Kingdom
‘Blow Job’, Kunsthaus Bregenz, Bregenz, Austria

‘Between Acts’, an evening of Performances, David Roberts Foundation, London, United Kingdom
‘Autumn/Winter Collection 2013’, Elaine, Basel, Switzerland

‘After all nothing changes but the weather - time after time after time’, part of: Bitte Danke, a project by Dirk Bell, Pavillon der Volksbühne, Berlin, Germany
‘Inside and outside cannot simply be separated (The Kreutzer Sonata), Loos, Beethoven and Tolstoy’, no readmittance series, performative lecture, Weißensee Kunsthochschule, Berlin, Germany

‘Death Dies’, Performance with Anthony Silvester, Thinking Through Cinema (Lux), Tramway, Glasgow, United Kingdom
‘If I had two heads’, no readmittance series, performative lecture, Based in Berlin, Monbijou Park, Berlin, Germany
‘Es gibt Stille un Stille’, performative lecture, PINothek Atelier Munich, Munich, Germany
‘We Love You’, no readmittance series, performative lecture, British Art Show, St Paul’s Pavilion, London, United Kingdom

‘Death Dies (Christmas Version)’, performance with Anthony Silvester, Hotel, London, United Kingdom
‘Death Dies’, performance with Anthony Silvester, Thinking Through Cinema (Lux), Artissima 7, Turin, Italy
‘the day grew dark, no readmittance series, featuring Josef Strau, Chantal Akerman, Axel J Wieder and New Order, performative lecture, Künstlerhaus Stuttgart, Germany
‘the day grew darker still’, no readmittance series, Lecture Room, performative lecture, Irish Museum of Modern Art, Dublin, Ireland

‘Broken English’, no readmittance series, performative lecture, Weißensee Kunsthochschule, Berlin, Germany
‘I can hear the grass grow’, no readmittance series, performative lecture, Temporäre Kunsthalle Berlin, Germany
‘the future event cannot be focussed’, no readmittance series, performative lecture, Hotel, London, United Kingdom
‘songs without words’, no readmittance series, performative lecture, Royal College of Art, London, United Kingdom

‘Lieber den Spatz in der Hand, als die Taube auf dem Dach’, DJ Set, 1h, Worpswede goes Poodle, Golden Pudel Club, Hamburg, Germany